Experimental physical and perceptual characterization of single cane reeds

Abstract: Since the late 19th century, researchers have measured and predicted the acoustic properties of single-reed instruments. According to musicians, the reed itself has a significant impact on sound production and playing comfort. They claim that only a few reeds are of good enough quality to be used for a concert. Besides, the physics of the reed remains incompletely understood, and manufacturers struggle to make reeds of constant quality despite an automated and precise process of making. This is the reason why some researchers are interested in studying the behavior of reeds either through the creation of physical models or through physical or perceptual experiments. Their aim is to deduce physical parameters that more adequately account for the sensations of musicians.

This seminar focuses mainly on experimental work, and is divided into two parts. First, work on the perception of clarinet and saxophone players is presented, showing the diversity of approaches used (Amélie Gaillard).

Secondly, the physics of single-reed instruments and reeds is reviewed. Experimental studies taking into account different physical approaches are presented and discussed (Bruno Gazengel). 

Le mardi 22 avril 2025 à 11h00 / Amphithéâtre François Canac, LMA

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